This includes photos, which are not obviously retro and portraits of famous young women doing nothing but posing. Please add the info in the comments.ĥ: All reposts less than six months old and all reposts less than a year old from Top 100 will be removed.ħ: We reserve the right to remove any post that doesn't showcase historical coolness. Nobody cares about your sexual impulses, least of all the OP.Ĥ: All posts highlighting, in the title, that someone has recently passed away or titles trying to evoke sympathy upvotes will be deleted. Offensive comments include anything about pimping, about people's moms and scoring women. If you've found a photo, video, or photo essay of people from the past looking fantastic, here's the place to share it.ġ: Photos and videos must be over 25 years old.Ģ: Please put the year or decade in title, otherwise your post will be removed.ģ: Spam, racist, homophobic, sexist and offensive comments, as well as brigading, consistent reposting and shitposting, will result in a lifetime ban. Higashi puts the stars in a scholarly limelight that brings new understanding to obsessions with movie stardom of the time - obsessions that continue forcefully today.A pictorial and video celebration of history's coolest kids, everything from beatniks to bikers, mods to rude boys, hippies to ravers. "With characteristic acumen and a brilliant gaze upon Hollywood's 1950s movie star phenomena, Sumiko Higashi makes an invaluable contribution to our understanding of the American character, consumerism, and the often neglected pragmatics of the film business. Desser, Emeritus Professor, University of Illinois, USA The section on stars is a lot of fun, but also revealing the section on fans, fandom, and consumerism is positively scintillating." - David M. Higashi writes with style and grace she takes her subject very seriously, but does not preach to the choir. 1950s Bob Horns Bandstand The Philadelphia deejay Bob Horn hosted Bandstand, which was broadcast regionally from Studio B at WFIL-TV from 1952 to 1956. The company had finished the interior of the Wannamaker building in Philadelphia. The crime scene was combed over and over again by 270 police academy recruits, who discovered a man's blue corduroy cap, a child's scarf, and a man's white. "What a pleasure and a wonderful surprise to see a new book by Sumiko Higashi! In poring over every issue of Photoplay from 1948 to 1963, Higashi has arrived at what is an eclectic, but surely significant group of women stars - some well-remembered, like Marilyn Monroe, whose stardom in the era was demonstrable through box office grosses and a number of articles some remembered through a certain distorted lens, like Doris Day some surprising in this era, like Natalie Wood and one or two perhaps forgotten by all but film scholars. Rialto Theater in 1950s after Hotel Kaukauna which was to the right of. The Philadelphia Inquirer printed 400,000 flyers depicting the boy's likeness, which were sent out and posted across the area, and were included with every gas bill in Philadelphia. Philadelphia (1993) According to her testimony she found him in her. A daring and redemptive novel set in 1950s Philadelphia and Washington, DC, that explores what it means to be a woman and a mother, and how much one is willing. … Higashi incorporates new ways of presenting history and continues her important interdisciplinary work in Hollywood’s cultural representations.” (Jennifer Frost, American Historical Review, February, 2016) When Connecticut socialite Eleanor Strubing appeared on. … A unique aspect of Stars, Fans, and Consumption in the 1950s: Reading Photoplay is the effort to recreate the historical experience of reading a fan magazine. “This book demonstrates a rich interdisciplinarity across and between the subjects of film and history. But the construction of female identity based on goods and performance that resulted in unstable, fragmented selves remains a legacy evident in postmodern culture today. When the magazine adopted tabloid conventions to report sex scandals like the Debbie-Eddie-Liz affair, stars were demystified and fans became scandalmongers. As the decade progressed, however, changing social mores regarding female identity and behavior eroded the relationship between idolized stars and worshipful fans. Postwar femininity was constructed in terms of access to commodities in suburban houses as the site of family togetherness. Addressing working- and lower-middle-class readers who were prospering in the first mass consumption society, the magazine published not only publicity stories but also beauty secrets, fashion layouts, interior design tips, recipes, advice columns, and vacation guides. As the leading fan magazine in the postwar era, Photoplay constructed female stars as social types who embodied a romantic and leisured California lifestyle.
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